Stones of Venus
11 stones.
- Azurite Deep dark azure, almost navy in the mass, often streaked or crusted with green malachite; small crystals are glassy and translucent, earthy coatings dull Azurite is copper, and painters knew it long before magicians did. It is the blue of medieval manuscripts and altarpieces, the azzurro della Magna of Cennini's handbook. Many of those blues have since turned green, because the stone slowly becomes malachite in damp air. It changes while you own it. The tradition gives it to the inward eye and to a mind being made to look at something. Sit with it and look into the blue for two minutes without deciding anything. Then write down the first clear sentence that arrives.
- Celestite Pale sky blue, sometimes colourless or faintly straw yellow; transparent tabular crystals with a glassy shine, usually standing in a geode Celestite was named in 1799 for its colour, from the Latin caelestis, of the sky. It has almost no old lore, because the fine crystals come from geodes opened only in the last two centuries. What tradition it has is about stillness. It is a strontium mineral, pale and soft and easily ruined, and the practice built around it treats it the same way, kept in one quiet place. Put it where you can see it from your pillow. Before sleep, look at it and say the one thing you are going to stop thinking about tonight.
- Chrysoprase Translucent apple-green to deep green, evenly coloured rather than banded, with a waxy rather than glassy shine. Pliny lists chrysoprasus among the green stones, and medieval Europe prized the Silesian material enough to line chapel walls with it. Its tradition is gentler than emerald's. Where emerald is the long vow, chrysoprase is recovery, and practice gives it to people coming out of a bad year, on the argument that green returns to ground that was burnt. Hold the chrysoprase and name one thing that is better now than it was a year ago. Say it aloud, even if it is small.
- Emerald Transparent to translucent deep green, almost always with visible internal fractures and inclusions; the trade calls that internal world the jardin, the garden. Pliny holds that no colour is more pleasing to the eye than the emerald's, and reports that gem-cutters rested their sight on one after fine work. From that comes its whole tradition: the stone of the long look and the patient love. Lapidaries gave it to lovers as a truth-teller, and said that it clouded when a vow was broken. Look at the emerald until your eyes rest. Then look up, name the promise you are still keeping, and go and keep it today.
- Jade Translucent to opaque. Jadeite runs from emerald green through lavender, white and orange; nephrite from creamy mutton-fat white through spinach green to near black. Two minerals answer to jade, jadeite and nephrite, and both are so tough that the ancients made axes and blades of them. That toughness is the whole of the tradition. Confucius, in the Book of Rites, reads the virtues of a good man in jade: its warmth, its evenness, the fact that it will break before it bends. Spanish sailors called it the stone of the flank, for colic. Put the jade on and leave it on. Each time you notice it today, finish the thing in front of you before starting another.
- Kunzite Transparent pink to lilac, palest at the edges. Strongly pleochroic: turn the crystal and the colour deepens along its length, then almost drains away. Kunzite is a young stone. George Kunz described it in 1902 from Pala in California, and everything said about it since has been said in a hundred years, not a thousand. The tradition that grew up is consistent: a stone for a heart that has taken a blow. Venus claims it for its colour and for the gentleness of its work. Hold it in your closed hand and name, out loud, the one person you are still angry with. Then put it in a dark drawer.
- Malachite Opaque green in concentric light and dark bands, silky where it has grown in rounded botryoidal masses; polished slices show rings, eyes and stripes. Pliny calls it molochitis, mallow-green, and writes that it was hung on children's cradles as a guard against danger; that is the oldest protective use we have for it. Egypt ground it for green eye-paint, which we now know was a poor idea. Its banded eyes made malachite the tradition's watcher, a stone held to see trouble coming. Set the malachite by the door you come home through. Look at its rings once, and leave whatever the day did outside.
- Morganite Transparent pale pink to peach or salmon, the colour often faint enough that stones are cut deep to hold it. Morganite is pink beryl, named in 1911 by the gemmologist George Kunz for the banker J. P. Morgan, whose mineral collection he had bought. It is the youngest stone in this part of the library, and its tradition is correspondingly plain: the clarity of the beryl family turned towards tenderness. Practice gives it for patience with people, including yourself. Touch the morganite and think of whoever is annoying you most. Give them one more chance than you meant to give.
- Rhodochrosite Banded rose-pink and white in stalactite slices, or transparent raspberry-red rhombs where it has grown as clear crystals. The Argentine deposits were worked from old Inca silver mines, which is where the name Inca rose comes from. Banded pink and white, it became the tradition's stone of returning delight, given to people who have grown competent and joyless. The lapidary line is simple enough: it is held to remember what you liked before you learned to be sensible. Hold the rhodochrosite and name one thing you loved doing at ten years old. Then do fifteen minutes of it today.
- Rhodonite Opaque to slightly translucent rose-pink to red, nearly always webbed and patched with black manganese oxide. Rhodonite is rose-pink shot through with black, and the tradition never separates the two. This is the stone of love that has been damaged and is being kept anyway. Russia mined it as orlets and cut it for the imperial court. Practice gives it after a betrayal or a family falling-out, and to anyone who must forgive without pretending nothing happened. Hold the rhodonite and trace one black vein with your thumb. Name the harm honestly. Then name one thing you will still do for them.
- Rose Quartz Translucent and cloudy rather than clear, in pale to dusky pink; the haze comes from microscopic fibres running through the quartz. Rose quartz has no ancient citation to lean on and does not need one; the folk line is unbroken and specific. It is the stone of ordinary affection rather than desire, of the love you already have and have stopped noticing. Practice gives it to the grieving and the newly alone as readily as to lovers, and that is the older use. Hold the rose quartz and think of one person you love and have not told. Send them a message now saying so.