Stones for Protection

31 stones.

Agate Banded chalcedony, translucent to opaque, in grey, white, brown, red and blue layers; a cut slice may show the bands as rings or as a landscape. Agate is the tradition's stone of steadiness. Pliny takes the name from the river Achates in Sicily and reports that it was carried against scorpion and snake bite, and that athletes wore it to keep their nerve. Its bands are the point: the tradition reads a stone that grew in patient layers as an argument for doing the same. Hold the agate and find one band with your thumbnail. Name one thing you will not be moved on today. Put it in your pocket.
Amazonite Opaque blue-green to soft turquoise, streaked and gridded with white where the feldspar has separated into fine bands. Amazonite was named for the Amazon in the eighteenth century, though nobody ever found the deposit there; the green stones traded from that river were probably something else entirely. It kept the name and gathered a reputation as the stone of plain speech. What the tradition asks of it is that you say the true thing without dressing it up. Read back what you just wrote with the amazonite in your hand. Cut every sentence that is only there to be liked. Then send it.
Amber Transparent to cloudy honey-yellow through orange to deep red-brown, often with insects, bark or bubbles caught inside; rare green and blue forms exist. Amber is not stone. It is the resin of pine forests that stood tens of millions of years ago, hardened and washed out of the Baltic. Pliny knew this and said so, against the poets who called it the tears of Phaethon's sisters. It has been worn as a protective amulet longer than almost any other material, and Pliny reports it hung on infants for that reason. Warm a piece of amber in your closed hand until it is blood temperature. Say the name of somebody you have lost. Put it in your pocket.
Apache Tear A rounded pebble, black and opaque by reflected light, but clear smoky brown all through when held up to a lamp; often frosted grey where the enclosing rock has weathered off An Apache tear is a nodule of obsidian weathered free of its rock. Black in the hand, it is clear brown when held up to a lamp. The name comes from a nineteenth-century Arizona story of women weeping for warriors lost at the cliff, their tears falling as stone. It is folk tradition and no older. It is kept for grief carried while ordinary life goes on. Hold it up to a window or a lamp until you can see light through it. Then close your hand and let yourself feel whatever that brought up.
Aquamarine Transparent pale blue to blue-green, usually very clean; the colour deepens with size, and most stones are heated to take the green out. Aquamarine is beryl the colour of shallow sea. Pliny says the Indians cut beryls into long six-sided prisms because the colour looks dull otherwise, which is a jeweller's note rather than a magician's. Sailors carried it, and the lapidary line makes it a stone of safe passage and of speaking calmly under pressure, on the understanding that the two are the same skill. Hold the aquamarine and say the difficult sentence out loud to the empty room first. Then go and make the call.
Black Tourmaline Opaque glossy black, in three-sided prisms with deep grooves running the length of the crystal, like a bundle of rods fused together Schorl was a miner's word long before it was a magician's. Dutch traders in the eighteenth century called tourmaline the ash-drawer, because a warm crystal pulled pipe ash across the table. The stone really is electric when heated, and the tradition took its character from that: something that gathers what is loose and holds it away from you. It is the plain protective stone, given to thresholds. Set one piece on the floor beside your front door tonight. Each time you come in, touch the frame and leave the day's argument on the other side of it.
Bloodstone Opaque dark green chalcedony flecked and spotted with red iron oxide, so that it looks like drops of blood on moss. Some pieces are nearly black-green with only two or three marks. Pliny knew it as heliotropium and reports that the magi claimed it made the bearer invisible, a claim he did not believe. Christian Europe renamed it. The red flecks became the blood that fell on green jasper at the foot of the cross, and carvers cut Passion scenes into it. It has been a soldier's stone and a healer's stone since. Wash it under the cold tap, dry it on a clean towel, and put it in the pocket of whatever you will wear tomorrow.
Diamond Transparent and colourless at its finest, but also yellow, brown, grey and rarely pink, blue or green; the lustre is unlike any other stone, hard and oily-bright, throwing sharp flashes of spectral colour when it is cut. Adamas means unconquerable, and that is its whole old meaning. Pliny reports that it defeats the hammer and the anvil, and repeats the story that only goat's blood will break it. The lapidaries gave it invulnerability rather than romance: proof against poison and fear. Western tables put it under the Sun, Indian astrology under Venus. Its link with betrothal is modern, built largely by De Beers advertising from 1947. Put the diamond on. Name one decision you will not reverse, out loud, once. Take it off only when the decision has been carried out.
Flint Opaque grey to black, brown or honey, usually inside a white chalky rind. A fresh break is waxy or glassy and shells out in curved flakes, and a thin flake is translucent brown at the edge. Flint is the oldest worked stone. Where ploughs turned up ancient arrowheads, Britain and Ireland called them elf-shot and set them in silver as a guard. Nodules that came out of the ground whole were thunderstones, held to have fallen with the lightning and to keep a house from being struck again. Herodotus says the Egyptian embalmer opened the body with a stone knife; Zipporah used flint in Exodus. Hold the flint against a piece of string and cut the string with scissors while you name what you are ending. Throw the short piece away.
Garnet Most often deep red, from wine-dark to nearly black in a thick piece, though the group also runs orange, green and honey. Transparent to translucent, with a glassy, almost resinous shine. The ancients had no word for garnet alone. Pliny's carbunculi are the fiery red stones, named for a live coal, and garnet is most of what he means. Out of that came the medieval carbuncle that shines in the dark: the lamp said to have lit Noah's ark. What survives is plainer. Garnet is held to keep a promise burning after the feeling that made it has cooled. Hold it up to a lamp until you find the light inside it. Then put it on and do the dull part of the work.
Hematite Steel-grey to black with a bright metallic shine when polished; earthy and botryoidal masses are a dull red-brown. Whatever the surface colour, it always leaves a red-brown streak, and that is the test. The Greeks named it from haima, blood, because it bleeds: grind it or saw it and the water goes red. Pliny prescribes haematites for the eyes and for bleeding. It is iron ore, the ore Mars is made of, and it was polished into some of the earliest mirrors, so it carries both meanings, the weapon and the true reflection. Modern practice uses it for one thing above all: weight. Sit down. Rest one in each palm, hands on your knees, and breathe until you can feel their weight and nothing else.
Jade Translucent to opaque. Jadeite runs from emerald green through lavender, white and orange; nephrite from creamy mutton-fat white through spinach green to near black. Two minerals answer to jade, jadeite and nephrite, and both are so tough that the ancients made axes and blades of them. That toughness is the whole of the tradition. Confucius, in the Book of Rites, reads the virtues of a good man in jade: its warmth, its evenness, the fact that it will break before it bends. Spanish sailors called it the stone of the flank, for colic. Put the jade on and leave it on. Each time you notice it today, finish the thing in front of you before starting another.
Jet Opaque velvet black to very dark brown, taking a deep polish; unusually light in the hand and warm to the touch, never cold like stone Jet is wood that sank in a Jurassic sea and turned to coal. Pliny calls it gagates, after a river in Lycia, and reports that burning it drove off snakes. Rubbed on cloth it takes a charge and lifts a hair. Whitby cut it by the ton after Victoria's widowhood, so it is the stone of English mourning, and the tradition keeps it for exactly that. Hold it until it is as warm as your hand. Say the name of what you have lost. Then put it in your pocket and go about the day.
Labradorite Dull grey to grey-brown until it is turned, when a broad flash of blue, green, gold or violet crosses the whole face. Labradorite looks like a grey pebble until it turns, and then the whole face lights blue or gold. The effect comes from layers inside the feldspar splitting the light. It was described from the Labrador coast in 1770, so its lore is young and honesty says so, but it has settled firmly into one use: a stone for people who keep far more inside than they show. Turn the labradorite until it flashes. Note what you have been holding back today. You do not have to say it aloud to anyone.
Magnetite Opaque black with a submetallic to metallic shine and a black streak. Crystals are often sharp octahedra. The same mineral in sand-sized grains is what makes some beaches grey and clings in beards to a magnet dragged through them. Magnetite is the one common mineral that is magnetic by itself, and lodestone is the rarer thing again: a piece that has been permanently magnetised in the ground, most likely by a lightning strike. Claudian describes a temple where an iron Mars was drawn across to a lodestone Venus and the priests called it a wedding. Folk practice feeds a lodestone iron filings to keep it drawing. Hold a paperclip near it until you feel the pull. Say what you want to come, once, then set the stone down facing the door.
Malachite Opaque green in concentric light and dark bands, silky where it has grown in rounded botryoidal masses; polished slices show rings, eyes and stripes. Pliny calls it molochitis, mallow-green, and writes that it was hung on children's cradles as a guard against danger; that is the oldest protective use we have for it. Egypt ground it for green eye-paint, which we now know was a poor idea. Its banded eyes made malachite the tradition's watcher, a stone held to see trouble coming. Set the malachite by the door you come home through. Look at its rings once, and leave whatever the day did outside.
Obsidian Glassy jet black with a bright wet lustre; also brown, or grey-flecked as snowflake obsidian, or with a gold or rainbow sheen when turned to the light Pliny records obsidian as named for Obsius, who found it in Ethiopia, and notes that it was cut into mirrors giving back the shadow of a face rather than a likeness. Later scryers used the same black glass, John Dee's speculum among them. The tradition holds it to show what is there rather than what is wanted. It is given to anyone asking to see plainly. Set it somewhere you will pass. Each time you pass it today, say one true sentence about the thing you are avoiding. Keep the sentences short.
Onyx Opaque black, or straight parallel bands of black and chalk white; sardonyx bands brown and white. Waxy lustre, takes a mirror polish The Greeks called it onyx, fingernail, for the pale band running through the dark. The story ran that Cupid cut Venus's nails with an arrowhead and the Fates turned the clippings to stone. Pliny knew it as a carving stone, and cameo cutters have worked its layers ever since. Agrippa sets it under Saturn. It is held to hold a thing steady rather than to lighten it. Put it in your pocket before a conversation you expect to be difficult. Touch it once before you answer anything. Then answer more slowly than you want to.
Peridot Transparent olive to bottle green, always green and never any other colour, with an oily lustre; large stones show facet edges doubled when you look through them Pliny's topazos, mined at first light on an island in the Red Sea, is our peridot, and the medieval lapidaries called the same stone chrysolite, so the name has moved twice. Marbode of Rennes writes that set in gold it drives off the terrors of the night. It comes out of volcanoes and meteorites, and the tradition keeps it for what grows back. Wear it or hold it, and name one thing that is already recovering. Not a hope, but something you can point to. Say it out loud once.
Petrified Wood Opaque brown, red, honey, grey and black in bands and streaks, with the growth rings, grain and sometimes the bark still readable; takes a glassy polish Petrified wood is a tree replaced cell by cell with silica. What you hold is quartz in the shape of timber, with the rings and often the bark still legible. The tradition takes it exactly as it looks: the past made solid and still readable. It is kept for ancestry, for long patience, and for anyone weighing whether a thing is worth another twenty years of their life. Find the growth rings and count ten of them with a fingertip. That is ten years of a life. Then say what you want your next ten to hold.
Pyrite Opaque brassy metallic yellow, often in sharp cubes or flat radiating discs; tarnishes with age to a dull brown iridescence. Pyrite grows in cubes so square they look cut. Its name is Greek for fire-stone: struck against steel it throws sparks, and both Theophrastus and Pliny record it doing exactly that. That is the whole of its tradition, a stone holding fire in a cold form. It is kept for nerve rather than for luck, and its likeness to gold earned it the name fool's gold. Set the pyrite where the light catches it. Name the task you have been circling for weeks. Do the first five minutes of it now.
Red Jasper Opaque brick to brownish red, sometimes veined with darker lines or carrying a grey rind. Completely opaque: hold it to a lamp and nothing at all passes through it. Egypt put red jasper at the throat of the dead. The Book of the Dead's spell for the tyet, the knot of Isis, calls for it in that stone and calls the amulet the blood of Isis. Pliny says the whole of the East wore iaspis as an amulet. Rome cut it for seals. It is the plainest of the Mars stones: no fire, no shine, only holding on. Stand with both feet flat, the stone in your fist, and count backwards from twenty. Put it in your pocket and go back in.
Sapphire Transparent corundum in every colour except red, which is called ruby instead. Classically cornflower to inky blue, but also yellow, green, pink and colourless, often with fine silk that can throw a star. In the Middle Ages sapphire was the stone of bishops and kings: Marbode holds that it keeps the limbs whole and makes peace between enemies, and clergy wore it to cool the body. Two cautions. The sapphire of the Bible is almost certainly lapis. And Agrippa lists the saphir among the things of Saturn, though the later tables and this library place it under Jupiter. Wash it under the tap. Put it on and say one true thing you have been softening, in the plainest words you have.
Serpentine Waxy or greasy-lustred green, from pale olive to nearly black, mottled and veined like a snake's back; the finer bowenite is translucent Pliny calls it ophites, the snake stone, for the mottling that runs across it like a skin, and the old lapidaries hung it against venom and headache. Because a serpent sheds and then carries on, the tradition took the stone for whatever is being shed: an old habit, an old post, an old name. It is held for moulting rather than for change in general. Name one habit you are finished with. Say when it ends, giving a date and not the word soon. Write the date where you will see it.
Shungite Matt black to steel grey and dull in the common rock; the noble grade is bright silvery black, lustrous and brittle, and marks paper like a pencil Shungite is nearly pure carbon from Karelia, laid down about two billion years ago. Peter the Great founded a spa on a shungite spring in 1719 and had his soldiers carry lumps to keep their water sweet. That is the tradition it has: a stone of the ground and of water. The modern claim that it screens electronics is not established, and this entry does not make it. Put a piece on the desk between you and the thing you are avoiding. Work for twenty minutes without touching your phone. Then move the stone aside and stop.
Sugilite Opaque purple, running from a soft lilac-grey to an intense magenta-violet, usually mottled or veined and often carrying black manganese oxide or brown patches. Only rarely translucent at an edge. There is no lapidary behind sugilite. A pale form was found in Japan in 1944 and named for the geologist who described it; the deep purple that made its name came out of the Wessels Mine in South Africa in 1979. Everything ascribed to it has been ascribed since about 1980, and mostly by people working with the dying and the bereaved. That is a young tradition, said plainly. Put it in the hand of someone who is having a bad week and say nothing about crystals. Let them keep it.
Sunstone Translucent to opaque orange, honey or red-brown, flecked with metallic copper-coloured platelets that flash as it turns; Oregon material can be clear red or green. Sunstone is feldspar shot through with tiny plates of copper or iron, so that when it turns the light inside it flashes. The tradition takes that literally and holds it a stone of warmth put back into a person, given to those who have made themselves small. Where citrine is for asking, sunstone is for being seen while you ask. Hold the sunstone at a window and turn it until the flash comes. Say one thing you are good at, out loud, and go.
Tiger's Eye Opaque golden brown in bands of light and dark, with a silky sheen that slides across the face as it turns; the blue form is hawk's eye and heated material goes red. Tiger's eye is quartz that grew through blue asbestos fibres, so a band of light travels across it as it turns. The tradition gives it to the Sun in a guarded mood: a stone for watching without being watched. Its own lore is young, because the material was only worked from the nineteenth century, and it stands in for the older eye-agates worn against the evil eye. Turn the tiger's eye until the band of light crosses it. Ask yourself one plain question about a decision you are avoiding. Answer it.
Topaz Transparent and glassy: colourless, pale blue, sherry-yellow, gold, and rare pink; the golden-orange imperial topaz is the most prized. Topaz is the hardest stone in this group and the tradition treats it as the Sun's cold side: judgement rather than warmth. Medieval lapidaries hold it to quiet anger and make the wearer plain-spoken. Pliny's topazos is a different stone, a green one from an island in the Red Sea and almost certainly peridot, so the name has moved across the centuries. Hold topaz up to the light and look through it. Say the fairest true sentence you can manage about a person who has wronged you.
Turquoise Opaque sky-blue through to green, usually webbed or blotched with the brown or black rock it grew in, which dealers call matrix. The blue greens as the stone loses water or takes up oil. Persia mined it at Nishapur and put it on the bridle: turquoise is the horseman's stone, worn against a fall, and held to crack in the rider's place. Boodt wrote in 1609 that it changes colour with its owner's health, which it does, though the cause is oil and water, not omen. Tibet, the Pueblo peoples and the Dine all keep it as a stone of sky and rain. Put it in the bag you travel with and say where you are going and when you intend to be back.
Zircon Transparent and brilliant with strong fire: colourless, honey, golden brown, red, and a heat-treated blue; the back facets visibly double when you look through it. Zircon is the oldest thing a person can hold. Crystals from Western Australia have been dated past four billion years, older than any surviving rock. Under the name jacinth it runs all through the medieval lapidaries, where Marbode writes that it brings sleep and keeps a traveller safe and welcome in a strange house. It is a stone for arriving somewhere you do not know. Put zircon in the bag you are travelling with. Before you leave, say aloud where you are going and when you mean to be back.