Stones for Focus
13 stones.
- Apatite Transparent to translucent, most often a strong sea-blue or blue-green, also yellow, violet and colourless. Bright, glassy, and usually small. Apatite was named from the Greek for deceit, because it was forever being mistaken for other stones: beryl, tourmaline, peridot. The tradition turned the joke round and made it a stone of accurate seeing, a reminder that appetite and appearance both mislead, and that the honest question is what a thing actually is. Hold the apatite and name one thing you have been pretending about. Say the true version aloud. Then get back to work.
- Azurite Deep dark azure, almost navy in the mass, often streaked or crusted with green malachite; small crystals are glassy and translucent, earthy coatings dull Azurite is copper, and painters knew it long before magicians did. It is the blue of medieval manuscripts and altarpieces, the azzurro della Magna of Cennini's handbook. Many of those blues have since turned green, because the stone slowly becomes malachite in damp air. It changes while you own it. The tradition gives it to the inward eye and to a mind being made to look at something. Sit with it and look into the blue for two minutes without deciding anything. Then write down the first clear sentence that arrives.
- Carnelian Translucent orange to deep red-brown, sometimes banded. Held up to a lamp it glows through like a coal; the darker brown material is usually called sard. Pliny calls it sarda, after Sardis where it was first cut, and notes the practical reason it filled Roman signet rings: hot wax does not stick to it. Egypt cut it into amulets for the dead. Islamic tradition prizes the aqiq ring above other stones. Everywhere it turns up it is a stone of doing rather than dreaming, the one you take to the thing you have been avoiding. Put it on the table beside your work. Do not touch it until you have done twenty minutes without stopping, then pick it up.
- Citrine Transparent pale lemon through golden to a smoky madeira brown; most stones on sale are heat-treated amethyst and carry a faint reddish cast. Citrine is the tradition's stone of the open hand. It belongs to the Sun and, in later folk practice, to trade: dealers called it the merchant's stone and kept it in the till rather than wearing it. The lapidary line groups it with the yellow stones held to lift a heavy mood and steady anyone who has to ask other people for money. Put a citrine where you keep your money. Handle it once, name aloud one thing you intend to earn, and leave it there.
- Clear Quartz Colourless and glass-clear to milky white; six-sided prisms ending in a pyramid, often holding veils, needles or rainbows from internal fractures The Greeks called it krystallos, ice, and held that it was water frozen so hard in the Alps that it could never thaw. Pliny reports this. Physicians cut it into balls to gather the sun and cauterise wounds, a use for a stone said to concentrate. Agrippa places crystal under the Moon. The tradition keeps it as the stone that takes the shape of the intention put into it. Hold the point and say what you want in one present-tense sentence. Set it where you will see it in the morning. Say the sentence again then.
- Fluorite Transparent to translucent, in purple, green, blue, yellow and colourless, often several of those banded within one crystal. Glassy, and frequently found as clean cubes. Fluorite takes its name from the Latin fluere, to flow: smelters added it to ore to make the metal run clean. The tradition reads that literally, and gives fluorite to a mind clogged with too many half-thoughts. Agricola named the fluores in 1546, and the murrhine cups Pliny prized are widely thought to have been carved from it. Set the fluorite on the page you are avoiding. Look at it, name the first small step out loud, and start with that.
- Heliodor Transparent pale greenish-yellow to warm gold, usually very clean, and often found in long six-sided prisms. Heliodor is golden beryl, named in 1910 from the Greek for gift of the Sun. The name is new but the family is not: beryl was the scrying stone of the medieval lapidaries, gazed into for what the eye could not otherwise reach. Heliodor keeps that use and turns it outward, and is held for study, for long reading, and for staying awake to a hard thing. Set heliodor beside your work. Read one page you have been putting off, aloud and slowly. Then put the stone away until the next page.
- Hematite Steel-grey to black with a bright metallic shine when polished; earthy and botryoidal masses are a dull red-brown. Whatever the surface colour, it always leaves a red-brown streak, and that is the test. The Greeks named it from haima, blood, because it bleeds: grind it or saw it and the water goes red. Pliny prescribes haematites for the eyes and for bleeding. It is iron ore, the ore Mars is made of, and it was polished into some of the earliest mirrors, so it carries both meanings, the weapon and the true reflection. Modern practice uses it for one thing above all: weight. Sit down. Rest one in each palm, hands on your knees, and breathe until you can feel their weight and nothing else.
- Howlite Opaque chalk white to grey-white, threaded with fine grey or black veins like a web; nodular and cauliflower-shaped in the rough Howlite came out of a Nova Scotian gypsum quarry and was described in 1868 by Henry How, a chemist. There is no ancient lore behind it and this entry will not invent any. Its tradition is modern and domestic: it is the stone people keep for a mind that will not stop working at night. The veining is why it is dyed so often, since it mimics turquoise. When your thoughts will not stop, hold it and trace one grey vein with a fingertip, slowly, end to end. Then trace another. Stop when you lose interest.
- Iolite Transparent violet-blue, and famously two-faced: turn the stone and it shifts from blue to a smoky straw-yellow or almost nothing. That pleochroism is the whole character of it. Iolite has no ancient name; it was described in 1813 and called after the Greek for violet. You will read that Norse navigators used it to find the sun through cloud. Treat that carefully: the sagas mention a sunstone without saying what it was, and no iolite has been found in a Norse burial. The modern tradition is milder, a stone for keeping your bearings. Turn the stone slowly in a window until the blue goes pale. Ask yourself which of the two colours today has been, and answer.
- Onyx Opaque black, or straight parallel bands of black and chalk white; sardonyx bands brown and white. Waxy lustre, takes a mirror polish The Greeks called it onyx, fingernail, for the pale band running through the dark. The story ran that Cupid cut Venus's nails with an arrowhead and the Fates turned the clippings to stone. Pliny knew it as a carving stone, and cameo cutters have worked its layers ever since. Agrippa sets it under Saturn. It is held to hold a thing steady rather than to lighten it. Put it in your pocket before a conversation you expect to be difficult. Touch it once before you answer anything. Then answer more slowly than you want to.
- Pyrite Opaque brassy metallic yellow, often in sharp cubes or flat radiating discs; tarnishes with age to a dull brown iridescence. Pyrite grows in cubes so square they look cut. Its name is Greek for fire-stone: struck against steel it throws sparks, and both Theophrastus and Pliny record it doing exactly that. That is the whole of its tradition, a stone holding fire in a cold form. It is kept for nerve rather than for luck, and its likeness to gold earned it the name fool's gold. Set the pyrite where the light catches it. Name the task you have been circling for weeks. Do the first five minutes of it now.
- Tiger's Eye Opaque golden brown in bands of light and dark, with a silky sheen that slides across the face as it turns; the blue form is hawk's eye and heated material goes red. Tiger's eye is quartz that grew through blue asbestos fibres, so a band of light travels across it as it turns. The tradition gives it to the Sun in a guarded mood: a stone for watching without being watched. Its own lore is young, because the material was only worked from the nineteenth century, and it stands in for the older eye-agates worn against the evil eye. Turn the tiger's eye until the band of light crosses it. Ask yourself one plain question about a decision you are avoiding. Answer it.