Stones for Courage

16 stones.

Agate Banded chalcedony, translucent to opaque, in grey, white, brown, red and blue layers; a cut slice may show the bands as rings or as a landscape. Agate is the tradition's stone of steadiness. Pliny takes the name from the river Achates in Sicily and reports that it was carried against scorpion and snake bite, and that athletes wore it to keep their nerve. Its bands are the point: the tradition reads a stone that grew in patient layers as an argument for doing the same. Hold the agate and find one band with your thumbnail. Name one thing you will not be moved on today. Put it in your pocket.
Amazonite Opaque blue-green to soft turquoise, streaked and gridded with white where the feldspar has separated into fine bands. Amazonite was named for the Amazon in the eighteenth century, though nobody ever found the deposit there; the green stones traded from that river were probably something else entirely. It kept the name and gathered a reputation as the stone of plain speech. What the tradition asks of it is that you say the true thing without dressing it up. Read back what you just wrote with the amazonite in your hand. Cut every sentence that is only there to be liked. Then send it.
Aventurine Opaque to lightly translucent green, sometimes peach, grey or blue, with a soft glitter from flecks of mica scattered through it. Aventurine's name comes from an accident. Venetian glassmakers spilled copper filings into a melt in the seventeenth century and got a glittering stone-like glass they called avventurina, by chance. The mineral was named after the imitation. Tradition took the glitter as a sign of fortune, and made aventurine the stone of the chance you have to take yourself. Put the aventurine in your hand. Say out loud the one thing you want and have not asked for. Then ask for it today.
Bloodstone Opaque dark green chalcedony flecked and spotted with red iron oxide, so that it looks like drops of blood on moss. Some pieces are nearly black-green with only two or three marks. Pliny knew it as heliotropium and reports that the magi claimed it made the bearer invisible, a claim he did not believe. Christian Europe renamed it. The red flecks became the blood that fell on green jasper at the foot of the cross, and carvers cut Passion scenes into it. It has been a soldier's stone and a healer's stone since. Wash it under the cold tap, dry it on a clean towel, and put it in the pocket of whatever you will wear tomorrow.
Carnelian Translucent orange to deep red-brown, sometimes banded. Held up to a lamp it glows through like a coal; the darker brown material is usually called sard. Pliny calls it sarda, after Sardis where it was first cut, and notes the practical reason it filled Roman signet rings: hot wax does not stick to it. Egypt cut it into amulets for the dead. Islamic tradition prizes the aqiq ring above other stones. Everywhere it turns up it is a stone of doing rather than dreaming, the one you take to the thing you have been avoiding. Put it on the table beside your work. Do not touch it until you have done twenty minutes without stopping, then pick it up.
Charoite Opaque violet in swirled, feathery, fibrous bands, lilac through to deep purple, streaked with white feldspar, orange-brown tinaksite and black aegirine. It has a pearly, almost silky sheen where the fibres catch the light. Charoite comes from one place on earth: the Murun massif on the Chara River in Siberia, described in 1978. Sellers like to say the name means enchanting in Russian; the mineralogists say it is the river. There is no old tradition to draw on. What has grown up around it in forty years is a stone for the person who knows the change is coming and is dragging their heels. Hold it and say out loud the change you have been putting off, with a date attached. Any date. Then write the date down.
Diamond Transparent and colourless at its finest, but also yellow, brown, grey and rarely pink, blue or green; the lustre is unlike any other stone, hard and oily-bright, throwing sharp flashes of spectral colour when it is cut. Adamas means unconquerable, and that is its whole old meaning. Pliny reports that it defeats the hammer and the anvil, and repeats the story that only goat's blood will break it. The lapidaries gave it invulnerability rather than romance: proof against poison and fear. Western tables put it under the Sun, Indian astrology under Venus. Its link with betrothal is modern, built largely by De Beers advertising from 1947. Put the diamond on. Name one decision you will not reverse, out loud, once. Take it off only when the decision has been carried out.
Flint Opaque grey to black, brown or honey, usually inside a white chalky rind. A fresh break is waxy or glassy and shells out in curved flakes, and a thin flake is translucent brown at the edge. Flint is the oldest worked stone. Where ploughs turned up ancient arrowheads, Britain and Ireland called them elf-shot and set them in silver as a guard. Nodules that came out of the ground whole were thunderstones, held to have fallen with the lightning and to keep a house from being struck again. Herodotus says the Egyptian embalmer opened the body with a stone knife; Zipporah used flint in Exodus. Hold the flint against a piece of string and cut the string with scissors while you name what you are ending. Throw the short piece away.
Garnet Most often deep red, from wine-dark to nearly black in a thick piece, though the group also runs orange, green and honey. Transparent to translucent, with a glassy, almost resinous shine. The ancients had no word for garnet alone. Pliny's carbunculi are the fiery red stones, named for a live coal, and garnet is most of what he means. Out of that came the medieval carbuncle that shines in the dark: the lamp said to have lit Noah's ark. What survives is plainer. Garnet is held to keep a promise burning after the feeling that made it has cooled. Hold it up to a lamp until you find the light inside it. Then put it on and do the dull part of the work.
Green Tourmaline Transparent green, from pale grass through bottle to a dark olive, in three-sided prisms grooved lengthwise like its black sibling. Strongly dichroic: much darker looked at down the length of the crystal than across it. Tourmaline reached Europe in 1703, brought from Ceylon by Dutch traders, so it has no classical lore; the name comes from the Sinhala turamali, a word for mixed-coloured stones. Green and black are the same mineral family, and practice splits them cleanly. Where schorl is a boundary and keeps things out, verdelite is given to increase: the heart, the garden, the thing that is meant to get bigger. Put the green tourmaline in your pocket and spend one uninterrupted hour on the thing you want to grow. Not planning it — doing it.
Malachite Opaque green in concentric light and dark bands, silky where it has grown in rounded botryoidal masses; polished slices show rings, eyes and stripes. Pliny calls it molochitis, mallow-green, and writes that it was hung on children's cradles as a guard against danger; that is the oldest protective use we have for it. Egypt ground it for green eye-paint, which we now know was a poor idea. Its banded eyes made malachite the tradition's watcher, a stone held to see trouble coming. Set the malachite by the door you come home through. Look at its rings once, and leave whatever the day did outside.
Red Jasper Opaque brick to brownish red, sometimes veined with darker lines or carrying a grey rind. Completely opaque: hold it to a lamp and nothing at all passes through it. Egypt put red jasper at the throat of the dead. The Book of the Dead's spell for the tyet, the knot of Isis, calls for it in that stone and calls the amulet the blood of Isis. Pliny says the whole of the East wore iaspis as an amulet. Rome cut it for seals. It is the plainest of the Mars stones: no fire, no shine, only holding on. Stand with both feet flat, the stone in your fist, and count backwards from twenty. Put it in your pocket and go back in.
Rhodochrosite Banded rose-pink and white in stalactite slices, or transparent raspberry-red rhombs where it has grown as clear crystals. The Argentine deposits were worked from old Inca silver mines, which is where the name Inca rose comes from. Banded pink and white, it became the tradition's stone of returning delight, given to people who have grown competent and joyless. The lapidary line is simple enough: it is held to remember what you liked before you learned to be sensible. Hold the rhodochrosite and name one thing you loved doing at ten years old. Then do fifteen minutes of it today.
Ruby Transparent to translucent red, from pinkish through to the deep tone dealers call pigeon's blood. Fine silk-like inclusions are common and can give a six-rayed star when the stone is cut domed. Sanskrit calls it ratnaraja, king of gems. Medieval lapidaries, Marbode among them, hold that it drives off sadness and that it darkens to warn its wearer of coming trouble. Note the disagreement: Western planetary tables give ruby to Mars, while Indian astrology gives it to the Sun and will not let a weak Sun wear one. Both traditions agree it is a stone of rank. Put it on. Stand up straight, say the first sentence of what you have to say, out loud, to the mirror. Then go.
Sunstone Translucent to opaque orange, honey or red-brown, flecked with metallic copper-coloured platelets that flash as it turns; Oregon material can be clear red or green. Sunstone is feldspar shot through with tiny plates of copper or iron, so that when it turns the light inside it flashes. The tradition takes that literally and holds it a stone of warmth put back into a person, given to those who have made themselves small. Where citrine is for asking, sunstone is for being seen while you ask. Hold the sunstone at a window and turn it until the flash comes. Say one thing you are good at, out loud, and go.
Tiger's Eye Opaque golden brown in bands of light and dark, with a silky sheen that slides across the face as it turns; the blue form is hawk's eye and heated material goes red. Tiger's eye is quartz that grew through blue asbestos fibres, so a band of light travels across it as it turns. The tradition gives it to the Sun in a guarded mood: a stone for watching without being watched. Its own lore is young, because the material was only worked from the nineteenth century, and it stands in for the older eye-agates worn against the evil eye. Turn the tiger's eye until the band of light crosses it. Ask yourself one plain question about a decision you are avoiding. Answer it.