Stones for the year of the Dragon

19 stones.

Aquamarine Transparent pale blue to blue-green, usually very clean; the colour deepens with size, and most stones are heated to take the green out. Aquamarine is beryl the colour of shallow sea. Pliny says the Indians cut beryls into long six-sided prisms because the colour looks dull otherwise, which is a jeweller's note rather than a magician's. Sailors carried it, and the lapidary line makes it a stone of safe passage and of speaking calmly under pressure, on the understanding that the two are the same skill. Hold the aquamarine and say the difficult sentence out loud to the empty room first. Then go and make the call.
Aventurine Opaque to lightly translucent green, sometimes peach, grey or blue, with a soft glitter from flecks of mica scattered through it. Aventurine's name comes from an accident. Venetian glassmakers spilled copper filings into a melt in the seventeenth century and got a glittering stone-like glass they called avventurina, by chance. The mineral was named after the imitation. Tradition took the glitter as a sign of fortune, and made aventurine the stone of the chance you have to take yourself. Put the aventurine in your hand. Say out loud the one thing you want and have not asked for. Then ask for it today.
Azurite Deep dark azure, almost navy in the mass, often streaked or crusted with green malachite; small crystals are glassy and translucent, earthy coatings dull Azurite is copper, and painters knew it long before magicians did. It is the blue of medieval manuscripts and altarpieces, the azzurro della Magna of Cennini's handbook. Many of those blues have since turned green, because the stone slowly becomes malachite in damp air. It changes while you own it. The tradition gives it to the inward eye and to a mind being made to look at something. Sit with it and look into the blue for two minutes without deciding anything. Then write down the first clear sentence that arrives.
Bloodstone Opaque dark green chalcedony flecked and spotted with red iron oxide, so that it looks like drops of blood on moss. Some pieces are nearly black-green with only two or three marks. Pliny knew it as heliotropium and reports that the magi claimed it made the bearer invisible, a claim he did not believe. Christian Europe renamed it. The red flecks became the blood that fell on green jasper at the foot of the cross, and carvers cut Passion scenes into it. It has been a soldier's stone and a healer's stone since. Wash it under the cold tap, dry it on a clean towel, and put it in the pocket of whatever you will wear tomorrow.
Citrine Transparent pale lemon through golden to a smoky madeira brown; most stones on sale are heat-treated amethyst and carry a faint reddish cast. Citrine is the tradition's stone of the open hand. It belongs to the Sun and, in later folk practice, to trade: dealers called it the merchant's stone and kept it in the till rather than wearing it. The lapidary line groups it with the yellow stones held to lift a heavy mood and steady anyone who has to ask other people for money. Put a citrine where you keep your money. Handle it once, name aloud one thing you intend to earn, and leave it there.
Diamond Transparent and colourless at its finest, but also yellow, brown, grey and rarely pink, blue or green; the lustre is unlike any other stone, hard and oily-bright, throwing sharp flashes of spectral colour when it is cut. Adamas means unconquerable, and that is its whole old meaning. Pliny reports that it defeats the hammer and the anvil, and repeats the story that only goat's blood will break it. The lapidaries gave it invulnerability rather than romance: proof against poison and fear. Western tables put it under the Sun, Indian astrology under Venus. Its link with betrothal is modern, built largely by De Beers advertising from 1947. Put the diamond on. Name one decision you will not reverse, out loud, once. Take it off only when the decision has been carried out.
Emerald Transparent to translucent deep green, almost always with visible internal fractures and inclusions; the trade calls that internal world the jardin, the garden. Pliny holds that no colour is more pleasing to the eye than the emerald's, and reports that gem-cutters rested their sight on one after fine work. From that comes its whole tradition: the stone of the long look and the patient love. Lapidaries gave it to lovers as a truth-teller, and said that it clouded when a vow was broken. Look at the emerald until your eyes rest. Then look up, name the promise you are still keeping, and go and keep it today.
Iolite Transparent violet-blue, and famously two-faced: turn the stone and it shifts from blue to a smoky straw-yellow or almost nothing. That pleochroism is the whole character of it. Iolite has no ancient name; it was described in 1813 and called after the Greek for violet. You will read that Norse navigators used it to find the sun through cloud. Treat that carefully: the sagas mention a sunstone without saying what it was, and no iolite has been found in a Norse burial. The modern tradition is milder, a stone for keeping your bearings. Turn the stone slowly in a window until the blue goes pale. Ask yourself which of the two colours today has been, and answer.
Kyanite Translucent to transparent blades of blue, paler at the edges and deeper along the central streaks; also grey, green, orange and near-black. It grows in flat, splintery fans. Kyanite's old name is disthene, two strengths, for the plain fact that it is soft along its length and hard across it. The lapidary tradition likes a stone that admits to being two things at once, and gives kyanite to people who must hold a difficult position and stay flexible about how they hold it. Lay the kyanite blade flat on your palm. Name the position you are keeping and the thing you will bend on. Both, out loud.
Lapis Lazuli Deep blue to violet-blue and completely opaque, dusted with brassy gold pyrite and veined or clouded with white calcite. The best material is even and dark with only a scattering of gold. Lapis was the sky brought indoors. Sumer gave its gods lapis beards and sent Inanna into the underworld wearing a lapis rod and necklace. Egypt cut it for the heart scarab. Pliny's sapphirus, sprinkled with gold, is this stone and not the corundum we now call sapphire. Ground and washed for weeks it becomes ultramarine, the costliest pigment in Europe, kept for the Virgin's robe. Hold it and say the difficult sentence to the empty room three times, changing a word each time, until it is short enough to mean it.
Larimar Opaque sea-blue to green-blue, mottled and marbled with white and sometimes rust-red, in patterns like sunlight falling through shallow water. Larimar is blue pectolite, found in one river valley in the Dominican Republic and nowhere else on earth. It was named in 1974, so there is no old lapidary standing behind it and honesty requires saying so plainly. Its use has grown quickly all the same, and it is now held as a calming stone, for the temper that runs hot and speaks faster than it thinks. Hold the larimar in your palm and take six slow breaths before you answer. Answer on the seventh, or do not answer at all.
Malachite Opaque green in concentric light and dark bands, silky where it has grown in rounded botryoidal masses; polished slices show rings, eyes and stripes. Pliny calls it molochitis, mallow-green, and writes that it was hung on children's cradles as a guard against danger; that is the oldest protective use we have for it. Egypt ground it for green eye-paint, which we now know was a poor idea. Its banded eyes made malachite the tradition's watcher, a stone held to see trouble coming. Set the malachite by the door you come home through. Look at its rings once, and leave whatever the day did outside.
Pearl Opaque white, cream, rose, gold, grey or black, with a soft inner glow called orient that comes from the layering of the nacre rather than from any pigment. A pearl is not a stone. It is nacre, laid down in fine layers by a living mollusc around something that irritated it, and that is the whole of its meaning in the tradition: the grain of sand answered with patience. Pliny puts pearls in his book on sea creatures rather than his book on gems, and tells there how Cleopatra dissolved one in vinegar to win a wager. Put on the pearl and name, silently, the thing that hurt and the thing you made of it afterwards. Wear it for the day.
Peridot Transparent olive to bottle green, always green and never any other colour, with an oily lustre; large stones show facet edges doubled when you look through them Pliny's topazos, mined at first light on an island in the Red Sea, is our peridot, and the medieval lapidaries called the same stone chrysolite, so the name has moved twice. Marbode of Rennes writes that set in gold it drives off the terrors of the night. It comes out of volcanoes and meteorites, and the tradition keeps it for what grows back. Wear it or hold it, and name one thing that is already recovering. Not a hope, but something you can point to. Say it out loud once.
Petrified Wood Opaque brown, red, honey, grey and black in bands and streaks, with the growth rings, grain and sometimes the bark still readable; takes a glassy polish Petrified wood is a tree replaced cell by cell with silica. What you hold is quartz in the shape of timber, with the rings and often the bark still legible. The tradition takes it exactly as it looks: the past made solid and still readable. It is kept for ancestry, for long patience, and for anyone weighing whether a thing is worth another twenty years of their life. Find the growth rings and count ten of them with a fingertip. That is ten years of a life. Then say what you want your next ten to hold.
Prehnite Translucent pale yellow-green to apple green, with a soft inner glow and a fibrous grain; often botryoidal, sometimes crowded with black epidote needles Prehnite came into the record too late for Pliny. It was described in 1788 and named for a Dutch colonel who brought a specimen back from the Cape, the first mineral named after a person. Its lore is modern, and honesty requires saying so. The tradition keeps it as the stone of the settled mind: the one held to quiet the noise around a decision before the decision is made. Hold it in a closed hand. Name the decision aloud, once. Then say nothing for a full minute and notice which thought arrives first.
Ruby Transparent to translucent red, from pinkish through to the deep tone dealers call pigeon's blood. Fine silk-like inclusions are common and can give a six-rayed star when the stone is cut domed. Sanskrit calls it ratnaraja, king of gems. Medieval lapidaries, Marbode among them, hold that it drives off sadness and that it darkens to warn its wearer of coming trouble. Note the disagreement: Western planetary tables give ruby to Mars, while Indian astrology gives it to the Sun and will not let a weak Sun wear one. Both traditions agree it is a stone of rank. Put it on. Stand up straight, say the first sentence of what you have to say, out loud, to the mirror. Then go.
Topaz Transparent and glassy: colourless, pale blue, sherry-yellow, gold, and rare pink; the golden-orange imperial topaz is the most prized. Topaz is the hardest stone in this group and the tradition treats it as the Sun's cold side: judgement rather than warmth. Medieval lapidaries hold it to quiet anger and make the wearer plain-spoken. Pliny's topazos is a different stone, a green one from an island in the Red Sea and almost certainly peridot, so the name has moved across the centuries. Hold topaz up to the light and look through it. Say the fairest true sentence you can manage about a person who has wronged you.
Zircon Transparent and brilliant with strong fire: colourless, honey, golden brown, red, and a heat-treated blue; the back facets visibly double when you look through it. Zircon is the oldest thing a person can hold. Crystals from Western Australia have been dated past four billion years, older than any surviving rock. Under the name jacinth it runs all through the medieval lapidaries, where Marbode writes that it brings sleep and keeps a traveller safe and welcome in a strange house. It is a stone for arriving somewhere you do not know. Put zircon in the bag you are travelling with. Before you leave, say aloud where you are going and when you mean to be back.